however, that Most people want to k

however, that Most people want to know how things are made. They frankly admit, music they food completely at soa when it comes to understanding how a pieod of is made. Where a composer begins, how he manages to keep going--in fact, how and where he learns his trade.....all are shrouded in impenetrable darkness. The composer, in short, is a man of mystery, and the composer's workshop an unapproachablo Mon tower. One of the first things the layman wants to hear about ls tho part Insplation plays in pomposing, He finds it difficult to believo that composers are not much preoccupied with that question, the composing is as natural for the composer as eating or sleeping. Composing is something that the composer happens to have been born to doi and because of that, it loses the character of special virtue in the composers eyes. The composer, therefore, does a not say to himself Do I feel inspired Ho says to himself: "Do I feel like composiog today?" And if he feels like composing, he does. It is more or less uke saying to himself. Do I feel sleepy? you foel sleepy. you go to sleep. If you don't feel sleepy, you stay up, the composer doesn't feel like composing. he doesn't compose. It's as simple as that. We may most safely conclude that the

ผลลัพธ์ (อังกฤษ) 3:

然而，大多数人想知道事情是如何做的。他们坦率地承认，他们的音乐食品完全SOA到理解如何进行pieod。一个作曲家开始的地方，他如何继续下去——事实上，如何以及在何处，他得知他的贸易.....都笼罩在漆黑的。总之，作曲家，是一个神秘的人，与作曲家的车间unapproachablo孟塔。一个门外汉想听LS pomposing起寿部分insplation的第一件事，他发现很难believo，作曲家不多关注这个问题，构成自然的作曲家进食或睡觉。作曲是作曲家的发生已出生的我因为那，在作曲家的眼睛失去美德的特殊字符。作曲家，因此，不会对自己说我觉得启发了Ho对自己说：“我今天想composiog？”如果他感觉像作曲，他会。它是更多或更少的受方对自己说。我感到困吗？你foel困。你去睡觉。如果你不感到困倦，你熬夜，作曲家不喜欢作曲。他不作曲。它是那么简单。我们可能最有把握地得出这样的结论