This article is about the sculptor. For other people named Rodin, see Rodin (surname).
Auguste Rodin
Rodin-cropped.png
Photo of Rodin wearing a beret.
Born François-Auguste-René Rodin
12 November 1840
Paris, France
Died 17 November 1917 (aged 77)
Meudon, Île-de-France
Nationality French
Known for Sculpture, drawing
Notable work
The Age of Bronze (L'age d'airain), 1877
The Walking Man (L'homme qui marche), 1877–78
The Burghers of Calais (Les Bourgeois de Calais), 1889
The Kiss, 1889
The Thinker (Le Penseur), 1902
Awards Légion d'Honneur
François Auguste René Rodin (12 November 1840 – 17 November 1917), known as Auguste Rodin (/oʊˈɡuːst roʊˈdæn/; French: [oɡyst ʁɔdɛ̃]), was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture,[1] he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition,[2] although he was never accepted into Paris's foremost school of art.
Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly criticized during his lifetime. They clashed with the predominant figure sculpture tradition, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community.
From the unexpected realism of his first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, Rodin's reputation grew, such that he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades, his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community.
This article is about the sculptor. For other people named Rodin, see Rodin (surname).Auguste RodinRodin-cropped.pngPhoto of Rodin wearing a beret.Born François-Auguste-René Rodin12 November 1840Paris, FranceDied 17 November 1917 (aged 77)Meudon, Île-de-FranceNationality FrenchKnown for Sculpture, drawingNotable work The Age of Bronze (L'age d'airain), 1877The Walking Man (L'homme qui marche), 1877–78The Burghers of Calais (Les Bourgeois de Calais), 1889The Kiss, 1889The Thinker (Le Penseur), 1902Awards Légion d'HonneurFrançois Auguste René Rodin (12 November 1840 – 17 November 1917), known as Auguste Rodin (/oʊˈɡuːst roʊˈdæn/; French: [oɡyst ʁɔdɛ̃]), was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture,[1] he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition,[2] although he was never accepted into Paris's foremost school of art.Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. Many of his most notable sculptures were roundly criticized during his lifetime. They clashed with the predominant figure sculpture tradition, in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality. Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community.From the unexpected realism of his first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, Rodin's reputation grew, such that he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy private clients sought Rodin's work after his World's Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. He married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades, his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community.
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这篇文章是关于雕塑家。其他人叫罗丹,看到丹(姓)。
奥古斯特·罗丹
罗丹裁剪。戴着贝雷帽罗丹PNG
照片。
出世弗兰çOIS奥古斯特任é罗丹
12十一月1840
巴黎,法国
死于1917十一月17(77岁)
默东,Î巴黎
国籍法国
著名雕塑,绘画
显著的工作
青铜时代(青铜时代),1877
the walking man work), 1877–78. the burghers of calais (1889), pas de calais), the kiss, 1889. the thinker (scholar), 1902 (awards medal of honor, francois auguste rene rodin (november 12, 1840 - 17 november 1917), known as auguste rodin, / oʊˈɡuːst roʊˈdæn; french: [oɡyst ʁɔdɛ̃), was a french sculptor.虽然罗丹通常被认为是现代雕塑的祖,[ 1 ],他没有去反抗过去。他是受过教育的传统,把一个工匠喜欢他的工作方法,和所需的学术认可,[ 2 ],虽然他从来没有接受到艺术巴黎首屈一指的学校。
sculpturally,丹具有一种独特的能力模型复杂,湍流,深深地把表面的粘土。他的许多最著名的雕塑在他的一生中受到了严厉的批评。他们的主要人物雕塑的传统发生冲突,在作品的装饰,程式化的,或高度专题。罗丹的最原始的工作偏离了传统的神话和寓言的题材,人体模型与现实主义,著名的个性和肉体。丹是围绕他的工作争议的敏感问题,但拒绝改变自己的风格。历任作品在政府和艺术界带来了越来越大的青睐。从他的第一个主要人物–的灵感来自于他1875次来意大利–的非常规奏折的佣金后来他寻求意想不到的现实,丹的名气越来越大,使得他成为他的时代最杰出的法国雕刻家。1900岁,他是一位世界知名的艺术家。富有的私人客户寻求丹的工作他的世界博览会展览后,他不断地与各种各样的高姿态的知识分子和艺术家。他萝丝贝瑞特娶了他的终身伴侣,,在他们生活的最后一年。他的雕塑作品在1917岁去世后受到了欢迎,但在几十年的时间里,他的作品却凝固了。丹是一个在视觉艺术界广泛知道的为数不多的雕塑家。
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