Antonio Canova (Possagno, 1º novemb

Antonio Canova (Possagno, 1º novembre 1757 – Venezia, 13 ottobre 1822) è stato uno scultore e pittore italiano, ritenuto il massimo esponente del Neoclassicismo e soprannominato per questo "il nuovo Fidia".


Busto di Antonio Canova, copia da Antonio Canova precedente al 1847
Fu soprattutto il cantore della bellezza ideale, priva di affettazioni: basti a tale proposito ricordare le opere ispirate alle tre Grazie e a Ebe, oppure alcuni suoi capolavori come Venere uscente dal bagno, la Venere italica e la statua dedicata a Paolina Borghese. La sua arte e il suo genio ebbero una grande e decisiva influenza nella scultura dell'epoca. Iniziò giovanissimo il proprio apprendistato e lo svolse esclusivamente nella città di Venezia, distante circa 80 km dal suo paese natale, Possagno. Nella città lagunare iniziò a scolpire le sue prime opere. Egli subì, specialmente nel primo periodo di produzione artistica, l'influenza e il fascino dello scultore del Seicento Gian Lorenzo Bernini, indiscusso maestro dello stile barocco.

Ventiduenne, si trasferì a Roma dove ebbe modo di incontrare e conoscere i maggiori protagonisti dell'arte neoclassica, inserendosi anch'egli in quel clima di capitale della cultura che era la città capitolina del Settecento.

ผลลัพธ์ (อังกฤษ) 2:

Antonio Canova (Possagno, 1st November 1757 - Venice, October 13, 1822) was an Italian sculptor and painter, considered the greatest exponent of Neoclassicism and dubbed this "the new Phidias." Bust of Antonio Canova, Antonio Canova copy from the previous 1847 was above all the singer of ideal beauty, devoid of affectation: just about that recall the works inspired by the Three Graces and Hebe, or some of his masterpieces like Venus emerging from the bath, the Italic Venus and the statue of Paolina Borghese. His art and his genius had a great and decisive influence in the sculpture of the time. He began his apprenticeship very young and played only in the city of Venice, about 80 km from his native Possagno. In Venice he began to carve his first works. He suffered, especially in the first period of artistic production, the influence and the charm of the sculptor Gian Lorenzo Bernini in the seventeenth century, the undisputed master of the Baroque style. twenty-two, he moved to Rome where he met and know the major protagonists of neoclassical, entering also in the climate of cultural capital that was the capital city of the eighteenth century.

ผลลัพธ์ (อังกฤษ) 3:

antonio canova (possagno, 1 november 1757 - venice, october 13, 1822) was a sculptor and painter, italian, considered the maximum exponent of neoclassicismo and dubbed this "the new fidia."


bust of antonio canova, copy by antonio canova prior to 1847) was the singer of the beauty ideal, free to affettazioni:can the mind works inspired by the three graces and ebe, or some of his masterpieces like venus leaving the bath, the venus italica and statue dedicated to paolina bourgeois. his art and his genius had a great and decisive influence in the sculpture of the time. he started very young the apprenticeship and played exclusively in the city of venice.about 80 km away from his hometown, possagno. the city budget began to carve his early works. he suffered, especially in the first period of artistic production, the influence and the charm of the 17th century sculptor gian lorenzo bernini, the undisputed master of the baroque.

22.he moved to rome, where he had the opportunity to meet and get to know the main players of the neo classical art, and he, too, in that climate of capital of culture which was the city capitolina of the 18th century.